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The popular Western view of things is tricky, though, because we generally anticipate a “false dichotomy” between arranged marriages and love marriages.

In other words, you marry someone because you’re in love with them, or you marry someone because your parents tell you to.

Last week, I joined Shaadi.com, India’s oldest and most popular matrimonial website.

Call it anthropological curiosity; call it a metric of my own narcissism.

In December, Delhi’s Chief Minister Sheila Dikshit described her city as a “rape capital;” in June, the New York Times reported that visits by female tourists to India had dropped by 35 percent in the first months of 2013.

The average Indian man is likely more financially successful and socially engaged than his father—more likely to have a car and a Facebook page—but the popularity of matrimonial websites might suggest that he is simply using these resources to preserve an antiquated and gender-prejudiced conception of marriage that’s counterintuitive to modernization, at least by the Western definition.

finds its central conflict in the struggle between Jess, our 18-year-old British-Indian protagonist, and her traditional Sikh parents’ ideas of womanhood and marriage.“It’s just culture,” says Jess, who the movie leaves us to assume has never been to India.

She later concludes that the only way to deal with Just Culture is to get farther from it, heading, naturally, to America.

There are 44 million Indians who now have smartphones, giving casual-encounter-driven “hookup apps” like Tinder a huge market.

Tinder’s CMO said in September was seeing a 3 to 4 percent daily growth in its Indian user base.

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